‎/Transcript - Biblical Fakery Satanic Initiation Season 5 - Episode III
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Transcript: Biblical Fakery: Satanic Initiation Season 5 - Episode III

Watch on YouTube  |  Readable transcript  |  Language: en
Show concatenated view
137 timestamped sections using the same paragraph analysis.
Section 1: 00:00:00,800 – 00:00:16,880
00:00:00,800 → 00:00:03,550 I love that liquor
00:00:03,560 → 00:00:06,730 drown my days
00:00:06,740 → 00:00:09,770 now I'm taking
00:00:09,780 → 00:00:12,249 my last ride
00:00:12,259 → 00:00:16,880 I paid the highest price
Section 2: 00:00:16,890 – 00:00:27,370
00:00:16,890 → 00:00:27,370 [Music]
Section 3: 00:00:27,380 – 00:00:39,380
00:00:27,380 → 00:00:30,070 is where I'll be
00:00:30,080 → 00:00:32,590 to rest Until
00:00:32,600 → 00:00:38,750 the End of Time
00:00:38,760 → 00:00:39,380 Eternity
Section 4: 00:00:39,390 – 00:00:42,290
00:00:39,390 → 00:00:42,290 [Music]
Section 5: 00:00:42,300 – 00:01:23,690
00:00:42,300 → 00:00:46,310 welcome back to Lady Babylon this is
00:00:46,320 → 00:00:49,250 satanic initiation and tonight we have
00:00:49,260 → 00:00:51,470 for you such a delight
00:00:51,480 → 00:00:54,310 we have a great great great love story
00:00:54,320 → 00:00:56,750 and I'm going to bring that to you
00:00:56,760 → 00:00:59,810 against the background of some fairy
00:00:59,820 → 00:01:04,369 tales some fairy tales yes we're gonna
00:01:04,379 → 00:01:07,789 look at a couple of big names we're
00:01:07,799 → 00:01:09,730 gonna look
00:01:09,740 → 00:01:13,070 we're going to look at Elohim we're
00:01:13,080 → 00:01:15,230 gonna look at Yahoo
00:01:15,240 → 00:01:18,850 and we're going to take back those names
00:01:18,860 → 00:01:23,690 fantastic tonight we begin part one
Section 6: 00:01:23,700 – 00:01:36,410
00:01:23,700 → 00:01:36,410 with Adonis welcome to Lady Babylon
Section 7: 00:01:36,420 – 00:01:42,990
00:01:36,420 → 00:01:42,990 [Music]
Section 8: 00:01:49,500 – 00:02:25,820
00:01:49,500 → 00:01:52,789 fantastic so I've got a several quotes
00:01:52,799 → 00:01:55,310 and I'm gonna put set that machine that
00:01:55,320 → 00:01:58,609 we've got going we're gonna head back to
00:01:58,619 → 00:02:00,830 Cyprus and we're gonna find the worship
00:02:00,840 → 00:02:06,170 but before we do we're gonna set the
00:02:06,180 → 00:02:08,510 stuff that's popping in the air we're
00:02:08,520 → 00:02:10,669 going to set that for you tonight with
00:02:10,679 → 00:02:13,729 little imagery and we are sneaking in
00:02:13,739 → 00:02:16,190 this imagery to allow you to be
00:02:16,200 → 00:02:19,369 lubricated just to give you that place
00:02:19,379 → 00:02:22,550 so there's that Easy Motion let's hit
00:02:22,560 → 00:02:24,830 that first one it's chewy Star Charts
00:02:24,840 → 00:02:25,820 bring it up
Section 9: 00:02:25,830 – 00:02:27,350
00:02:25,830 → 00:02:27,350 [Music]
Section 10: 00:02:27,360 – 00:02:45,170
00:02:27,360 → 00:02:30,430 move as rare as
00:02:30,440 → 00:02:33,850 any old gem
00:02:33,860 → 00:02:39,130 but I just saw a doll Stone I didn't
00:02:39,140 → 00:02:45,170 know then that I could find strength
Section 11: 00:02:45,180 – 00:02:59,050
00:02:45,180 → 00:02:49,309 I could find strength I could find
00:02:49,319 → 00:02:53,229 strength that arms as
00:02:53,239 → 00:02:55,089 prayers
00:02:55,099 → 00:02:59,050 these
Section 12: 00:02:59,060 – 00:03:10,590
00:02:59,060 → 00:03:01,089 take away
00:03:01,099 → 00:03:04,630 all these dark
00:03:04,640 → 00:03:10,590 desires that threatened to send her away
Section 13: 00:03:10,600 – 00:03:14,530
00:03:10,600 → 00:03:14,530 [Music]
Section 14: 00:03:14,540 – 00:03:29,809
00:03:14,540 → 00:03:20,270 oh this is these things that catch my
00:03:20,280 → 00:03:26,089 eyes are Phantoms only a fool would
00:03:26,099 → 00:03:29,809 Chase
Section 15: 00:03:29,819 – 00:04:05,210
00:03:29,819 → 00:03:32,750 and here we are and you're feeling it
00:03:32,760 → 00:03:34,550 and you're setting into that Throne
00:03:34,560 → 00:03:38,330 today we're gonna see she who is of that
00:03:38,340 → 00:03:40,869 many formed throne
00:03:40,879 → 00:03:43,550 fantastic buckle your seat belts we've
00:03:43,560 → 00:03:45,110 got to get some cult today I'm gonna
00:03:45,120 → 00:03:48,050 flash you up a name and I want those of
00:03:48,060 → 00:03:50,030 you in the audience who have ever heard
00:03:50,040 → 00:03:53,149 the word or the name Adonai
00:03:53,159 → 00:03:56,930 uh the knee is fine I do not is fine as
00:03:56,940 → 00:04:01,309 well I'm going to bring you the real
00:04:01,319 → 00:04:05,210 name behind that name and that is what
Section 16: 00:04:05,220 – 00:04:38,090
00:04:05,220 → 00:04:08,750 you're looking at now Adonis yes how
00:04:08,760 → 00:04:10,009 much older
00:04:10,019 → 00:04:12,289 how much older is this one than the
00:04:12,299 → 00:04:16,729 previous how much older is Adonis than
00:04:16,739 → 00:04:18,189 Adonai
00:04:18,199 → 00:04:21,409 yeah we're talking Mycenaean
00:04:21,419 → 00:04:23,930 we're talking Mycenaean fantastic
00:04:23,940 → 00:04:26,930 fantastic and I'll show you the route if
00:04:26,940 → 00:04:28,310 you'll stay with me all the way at the
00:04:28,320 → 00:04:30,710 end I'll show you the mice and then this
00:04:30,720 → 00:04:32,990 is lovely this is lovely so we're
00:04:33,000 → 00:04:38,090 talking about Adena how is Adonai
Section 17: 00:04:38,100 – 00:05:22,029
00:04:38,100 → 00:04:40,930 translated
00:04:40,940 → 00:04:44,210 well it's funny in the Septuagint it's
00:04:44,220 → 00:04:48,590 all curios so very conveniently you see
00:04:48,600 → 00:04:50,450 we're tracing we're just taking the
00:04:50,460 → 00:04:52,790 crime scene pushing it backwards in time
00:04:52,800 → 00:04:57,110 and watching it roll backwards
00:04:57,120 → 00:04:59,930 why do they want it to equal adenai oh I
00:04:59,940 → 00:05:01,430 don't know maybe it's because that's how
00:05:01,440 → 00:05:03,770 they're translating curios from the
00:05:03,780 → 00:05:07,070 Septuagint you mean Hebrew is being
00:05:07,080 → 00:05:10,370 translated from the Greek yes the Hebrew
00:05:10,380 → 00:05:13,010 is translated from the Greek and that is
00:05:13,020 → 00:05:15,469 how we get to Jesus in a public park
00:05:15,479 → 00:05:20,090 with a naked boy screaming I am not a
00:05:20,100 → 00:05:22,029 child trafficker
Section 18: 00:05:22,039 – 00:05:59,390
00:05:22,039 → 00:05:25,670 okay let's go tonight right right to it
00:05:25,680 → 00:05:30,170 let's get right to it you saw the theme
00:05:30,180 → 00:05:33,590 in all of those images that you just got
00:05:33,600 → 00:05:36,409 you've taken in the theme now I'm going
00:05:36,419 → 00:05:38,210 to take you to the particular of the
00:05:38,220 → 00:05:42,050 mystery and I want you to focus your
00:05:42,060 → 00:05:43,189 attention
00:05:43,199 → 00:05:47,330 on this morning I'm gonna bring you a
00:05:47,340 → 00:05:50,330 dead guy and I'm gonna force him to spit
00:05:50,340 → 00:05:54,050 out this song of mourning this was a
00:05:54,060 → 00:05:55,010 time
00:05:55,020 → 00:05:59,390 when women were worshiped
Section 19: 00:05:59,400 – 00:06:44,270
00:05:59,400 → 00:06:02,749 this was a time when their entire ethnic
00:06:02,759 → 00:06:08,090 groups where women held all of the Power
00:06:08,100 → 00:06:10,189 there were Queens
00:06:10,199 → 00:06:11,810 fantastic
00:06:11,820 → 00:06:14,409 fantastic I want you to take your mind
00:06:14,419 → 00:06:17,390 back to that place and I want to bring
00:06:17,400 → 00:06:22,010 you Aphrodite thanks to it Aphrodite and
00:06:22,020 → 00:06:24,529 Adonis I'm going to run this clip for
00:06:24,539 → 00:06:29,390 you and this clip is composed of lines
00:06:29,400 → 00:06:31,790 from a second century
00:06:31,800 → 00:06:33,350 Hellenist
00:06:33,360 → 00:06:37,070 yeah and he is going to be giving you
00:06:37,080 → 00:06:40,430 the lament for Adonis something that
00:06:40,440 → 00:06:44,270 spread across the world
Section 20: 00:06:44,280 – 00:06:54,409
00:06:44,280 → 00:06:47,330 yeah yeah across the world
00:06:47,340 → 00:06:50,529 it's a time when we enter into that
00:06:50,539 → 00:06:54,409 mid-summer's Lament
Section 21: 00:06:54,419 – 00:07:16,850
00:06:54,419 → 00:06:57,409 time when we enter that cry today we're
00:06:57,419 → 00:07:00,129 gonna find Hallelujah
00:07:00,139 → 00:07:03,110 Hallelujah if I were out there I could
00:07:03,120 → 00:07:04,850 hear you in a congregation I'd say
00:07:04,860 → 00:07:08,150 hallelujah hallelujah is a Greek word
00:07:08,160 → 00:07:10,070 what
00:07:10,080 → 00:07:13,850 not even Hallelujah the devil won't even
00:07:13,860 → 00:07:16,850 give them Hallelujah
Section 22: 00:07:16,860 – 00:07:37,950
00:07:19,740 → 00:07:21,950 no the devil's not giving you Hallelujah
00:07:21,960 → 00:07:24,290 let's start through the let's start um
00:07:24,300 → 00:07:26,390 hit we need to hit the film first Julie
00:07:26,400 → 00:07:28,969 let's head up and um Everybody set
00:07:28,979 → 00:07:30,290 yourselves
00:07:30,300 → 00:07:37,950 for Bion yes bion's morning of Adonis
Section 23: 00:07:37,960 – 00:07:49,730
00:07:37,960 → 00:07:49,730 [Music]
Section 24: 00:07:49,740 – 00:07:53,670
00:07:49,740 → 00:07:53,670 thank you
Section 25: 00:07:53,680 – 00:08:23,469
00:07:53,680 → 00:08:23,469 [Music]
Section 26: 00:08:23,479 – 00:08:27,580
00:08:23,479 → 00:08:27,580 thank you
Section 27: 00:08:27,590 – 00:08:31,790
00:08:27,590 → 00:08:31,790 [Music]
Section 28: 00:08:31,800 – 00:08:32,830
00:08:31,800 → 00:08:32,830 foreign
Section 29: 00:08:32,840 – 00:08:56,750
00:08:32,840 → 00:08:56,750 [Music]
Section 30: 00:08:56,760 – 00:09:38,870
00:08:56,760 → 00:09:02,090 and who is this Adonis for whom so many
00:09:02,100 → 00:09:04,130 women weep
00:09:04,140 → 00:09:06,650 every year
00:09:06,660 → 00:09:10,790 so many women we take our we take our
00:09:10,800 → 00:09:14,090 pots and we put our our little flowers
00:09:14,100 → 00:09:17,150 that are gonna rise and die and we put
00:09:17,160 → 00:09:18,829 those on the roof
00:09:18,839 → 00:09:22,130 yeah and we go through this process of
00:09:22,140 → 00:09:24,410 celebrating whoops I gotta I'm on the
00:09:24,420 → 00:09:26,570 wrong side of the ship so we start
00:09:26,580 → 00:09:28,910 celebrating right what are we
00:09:28,920 → 00:09:30,829 celebrating we shave our heads because
00:09:30,839 → 00:09:36,530 we honor Adonis in his death this is for
00:09:36,540 → 00:09:38,870 the women
Section 31: 00:09:38,880 – 00:10:09,530
00:09:38,880 → 00:09:41,269 okay historically
00:09:41,279 → 00:09:43,610 I'm just gonna put it out there from the
00:09:43,620 → 00:09:46,550 text these are the voices what I'm about
00:09:46,560 → 00:09:48,769 to show you are the voices of the muses
00:09:48,779 → 00:09:52,130 I'm gonna show you that beauty and it's
00:09:52,140 → 00:09:54,050 going to start with the one that was
00:09:54,060 → 00:09:56,150 called the tenth Muse I just want to
00:09:56,160 → 00:09:57,949 throw her name up here throw her name up
00:09:57,959 → 00:10:01,910 there yep nope that one first that one
00:10:01,920 → 00:10:04,550 good stop before right that's the good
00:10:04,560 → 00:10:06,769 attic way of saying it anyway but if you
00:10:06,779 → 00:10:09,530 drop down you get the eolic you'll get
Section 32: 00:10:09,540 – 00:10:42,350
00:10:09,540 → 00:10:14,030 the eolic yes sappho and what is that
00:10:14,040 → 00:10:16,910 ayok that's the Greek that they speak on
00:10:16,920 → 00:10:18,130 the island
00:10:18,140 → 00:10:23,930 where sappho lives and is
00:10:23,940 → 00:10:27,290 imprecating or begging or praying to
00:10:27,300 → 00:10:28,910 Aphrodite
00:10:28,920 → 00:10:30,710 and
00:10:30,720 → 00:10:33,110 what is she praying to her about she's
00:10:33,120 → 00:10:36,290 praying to her that she will bring her
00:10:36,300 → 00:10:39,949 love back to her that her love who is a
00:10:39,959 → 00:10:42,350 woman
Section 33: 00:10:42,360 – 00:11:23,030
00:10:42,360 → 00:10:45,110 will be drawn back to her
00:10:45,120 → 00:10:48,290 she's from the Island of Lesbos
00:10:48,300 → 00:10:52,190 yeah and that's if you talk about Les
00:10:52,200 → 00:10:54,410 boss you talk about the influences of
00:10:54,420 → 00:10:57,290 the groups talk about the influences of
00:10:57,300 → 00:11:00,949 all the scythian tribes the Ahmad zones
00:11:00,959 → 00:11:03,410 right what are they what are they doing
00:11:03,420 → 00:11:06,650 they're all over Les boss right and here
00:11:06,660 → 00:11:09,530 we have sappho who's called the tenth
00:11:09,540 → 00:11:12,050 Muse who's writing about these I want to
00:11:12,060 → 00:11:13,970 bring her tonight to this love story
00:11:13,980 → 00:11:16,009 because in order to understand the
00:11:16,019 → 00:11:18,710 mystery isn't it funny in order to
00:11:18,720 → 00:11:20,210 understand the mystery you have to
00:11:20,220 → 00:11:23,030 understand a love story you have to feel
Section 34: 00:11:23,040 – 00:11:57,889
00:11:23,040 → 00:11:26,889 and experience a love story
00:11:26,899 → 00:11:31,069 wow wow that's fantastic why would you
00:11:31,079 → 00:11:33,370 want to root that out of society
00:11:33,380 → 00:11:35,050 Adonai
00:11:35,060 → 00:11:37,670 everywhere curios
00:11:37,680 → 00:11:40,550 do you know how Adonai Elohim
00:11:40,560 → 00:11:41,870 and
00:11:41,880 → 00:11:47,030 um Yahoo or or yeah Yahweh do you know
00:11:47,040 → 00:11:50,269 um yeah how do you know that they
00:11:50,279 → 00:11:53,449 they are all non-existent in the text
00:11:53,459 → 00:11:57,889 they're all translated is curios
Section 35: 00:11:57,899 – 00:12:20,090
00:11:57,899 → 00:12:01,310 the Greek is the original people the
00:12:01,320 → 00:12:03,250 Greek is the original
00:12:03,260 → 00:12:08,269 the Hebrew post dates the original and
00:12:08,279 → 00:12:12,530 purports to be the original but is a
00:12:12,540 → 00:12:15,769 back translation and modification of the
00:12:15,779 → 00:12:16,569 original
00:12:16,579 → 00:12:20,090 Hellenistic great Septuagint
Section 36: 00:12:20,100 – 00:12:58,009
00:12:20,100 → 00:12:23,569 I'm bringing you those native terms
00:12:23,579 → 00:12:25,030 those
00:12:25,040 → 00:12:29,449 thonian terms those native terms that
00:12:29,459 → 00:12:31,670 will show you this let's do it let's go
00:12:31,680 → 00:12:33,829 to the first text up here
00:12:35,279 → 00:12:38,750 whoops uh here let's let me just get
00:12:38,760 → 00:12:41,630 this squared away a little bit work
00:12:41,640 → 00:12:44,990 there we go oh we had some comments
00:12:45,000 → 00:12:47,090 didn't we had some comments I've I
00:12:47,100 → 00:12:48,889 messed up the order again comments
00:12:48,899 → 00:12:50,690 correct we need to do a couple of
00:12:50,700 → 00:12:52,610 comments before we jump on a Dos let's
00:12:52,620 → 00:12:53,750 do a couple of comments these are
00:12:53,760 → 00:12:55,670 important because I want the audience to
00:12:55,680 → 00:12:58,009 know the people who are giving me their
Section 37: 00:12:58,019 – 00:13:26,629
00:12:58,019 → 00:13:00,530 time I'm looking at your stuff and I'm
00:13:00,540 → 00:13:03,650 analyzing saying what kind of responses
00:13:03,660 → 00:13:06,410 are there and how can I tailor things to
00:13:06,420 → 00:13:08,690 what people are you know what were they
00:13:08,700 → 00:13:10,009 where they're looking
00:13:10,019 → 00:13:12,350 all right this is a frontier it's a
00:13:12,360 → 00:13:15,110 frontier of information so
00:13:15,120 → 00:13:16,730 um yeah let's go to the first comment
00:13:16,740 → 00:13:19,250 and see yes I love this channel this
00:13:19,260 → 00:13:20,990 one's just ego stroking I love this
00:13:21,000 → 00:13:22,910 channel so much thank you I've been
00:13:22,920 → 00:13:24,590 watching our shows lately and I love the
00:13:24,600 → 00:13:26,629 way you teach you down to earth humor
Section 38: 00:13:26,639 – 00:13:59,329
00:13:26,639 → 00:13:29,870 thank you Chantelle thank you I and you
00:13:29,880 → 00:13:32,569 guys just see seem so honest and real
00:13:32,579 → 00:13:34,190 not like all the other teachers and
00:13:34,200 → 00:13:37,129 preachers they just seem so confused
00:13:37,139 → 00:13:39,889 right okay thank you very much I
00:13:39,899 → 00:13:42,530 appreciate that I appreciate the support
00:13:42,540 → 00:13:45,650 people would say hey that's just as good
00:13:45,660 → 00:13:48,110 if not better than you're going to hell
00:13:48,120 → 00:13:49,730 I love that you're going to house too
00:13:49,740 → 00:13:52,190 and for the evangelicals please be
00:13:52,200 → 00:13:54,769 specific please give me some detail when
00:13:54,779 → 00:13:56,810 you write something nasty write
00:13:56,820 → 00:13:59,329 something you know lately of of late
Section 39: 00:13:59,339 – 00:14:35,269
00:13:59,339 → 00:14:01,730 it's been said that it's been questioned
00:14:01,740 → 00:14:03,050 whether or not I'm
00:14:03,060 → 00:14:05,810 a math user
00:14:05,820 → 00:14:07,970 um I can assure you I'm not I can assure
00:14:07,980 → 00:14:10,370 you I'm not I live in a place that's
00:14:10,380 → 00:14:13,310 Savvy on all things chemical and I can
00:14:13,320 → 00:14:15,470 assure you I'm not
00:14:15,480 → 00:14:17,509 um thank you though for the for the
00:14:17,519 → 00:14:20,269 concern slash suspicion let's get one
00:14:20,279 → 00:14:22,670 more comment let's get one more comment
00:14:22,680 → 00:14:25,129 now lady Babylon or anyone who
00:14:25,139 → 00:14:26,990 understands what Almond says that minute
00:14:27,000 → 00:14:30,769 25 18 something about hymns of
00:14:30,779 → 00:14:32,690 yeah the mercenary poetry fought with
00:14:32,700 → 00:14:35,269 fly draku the Impaler I don't exactly
Section 40: 00:14:35,279 – 00:14:53,769
00:14:35,279 → 00:14:37,310 understand him
00:14:37,320 → 00:14:42,530 so yeah a great source out there for tar
00:14:43,980 → 00:14:48,470 um great source for you targ is Mike
00:14:48,480 → 00:14:53,769 or Michael murulas
Section 41: 00:14:53,779 – 00:15:08,030
00:14:53,779 → 00:14:58,009 m-a-r-u-l-l-u-s and he is he's he's a
00:14:58,019 → 00:14:59,750 really interesting guy we're not going
00:14:59,760 → 00:15:02,810 to go into but we need to get bring in
00:15:02,820 → 00:15:04,790 some more of his poetry as we have in
00:15:04,800 → 00:15:08,030 Pre episodes yeah
Section 42: 00:15:08,040 – 00:15:30,050
00:15:08,040 → 00:15:10,850 um look him up check him out love it and
00:15:10,860 → 00:15:14,569 uh let's go now to the text yep the very
00:15:14,579 → 00:15:15,889 first one that we're going to come up
00:15:15,899 → 00:15:18,710 with take down that please yeah here's
00:15:18,720 → 00:15:20,530 what I'm singing
00:15:20,540 → 00:15:23,050 rights
00:15:23,060 → 00:15:27,410 right I'm ayad zoing I'm I arzuing what
00:15:27,420 → 00:15:30,050 is that what is where's the ionzo
Section 43: 00:15:30,060 – 00:15:31,750
00:15:30,060 → 00:15:31,750 [Music]
Section 44: 00:15:31,760 – 00:16:08,090
00:15:31,760 → 00:15:35,509 there go for it yes ayadzo sorry guys
00:15:35,519 → 00:15:37,250 I'm a little bit my timing's off tonight
00:15:37,260 → 00:15:40,069 I apologize I'll slow down a little bit
00:15:40,079 → 00:15:42,110 look at this right it's it's because
00:15:42,120 → 00:15:45,829 dates make me nervous I apologize I
00:15:45,839 → 00:15:47,329 apologize but dates making me really
00:15:47,339 → 00:15:48,710 nervous
00:15:48,720 → 00:15:54,889 um iadzo be whale right to cry I I to
00:15:54,899 → 00:15:58,610 cry I I or to groan that's what I answer
00:15:58,620 → 00:16:02,689 is I'm groaning I'm wailing right I'm
00:16:02,699 → 00:16:08,090 who am I lamenting who am I lamenting
Section 45: 00:16:08,100 – 00:16:26,050
00:16:08,100 → 00:16:11,389 this is the cry that one shouts while
00:16:11,399 → 00:16:14,170 lamenting I I
00:16:14,180 → 00:16:19,310 astonishment or grief I I beautiful
00:16:19,320 → 00:16:26,050 beautiful let's keep going
Section 46: 00:16:26,060 – 00:16:49,550
00:16:26,060 → 00:16:30,710 right this is the group of mourners who
00:16:30,720 → 00:16:32,870 is speaking I want you to get the I want
00:16:32,880 → 00:16:39,050 you to get the the whole context here
00:16:39,060 → 00:16:42,949 you're listening to a group of women
00:16:42,959 → 00:16:46,009 who are mourning the death of Adonis
00:16:46,019 → 00:16:49,550 lover of Aphrodite
Section 47: 00:16:49,560 – 00:17:19,429
00:16:49,560 → 00:16:53,389 and Adonis you must remember as a
00:16:53,399 → 00:16:56,810 reputation he's 18 and he has the
00:16:56,820 → 00:16:59,030 reputation for being
00:16:59,040 → 00:17:02,150 so exceptionally handsome
00:17:02,160 → 00:17:05,110 that he's become the lover of
00:17:05,120 → 00:17:09,530 several gods Apollo included
00:17:09,540 → 00:17:10,809 yes
00:17:10,819 → 00:17:14,630 yes Apollo included
00:17:14,640 → 00:17:19,429 yeah fantastic so he's really really
Section 48: 00:17:19,439 – 00:17:42,409
00:17:19,439 → 00:17:21,110 good looking
00:17:21,120 → 00:17:22,909 really good lucky
00:17:22,919 → 00:17:25,490 okay devastatingly good looking but if
00:17:25,500 → 00:17:28,730 you want to judge Donis judge him by
00:17:28,740 → 00:17:30,230 this one thing
00:17:30,240 → 00:17:33,169 the Lord they are adopting the coolest
00:17:33,179 → 00:17:36,730 that they're adopting judge him adoni
00:17:36,740 → 00:17:42,409 judge him by one thing
Section 49: 00:17:42,419 – 00:18:33,350
00:17:42,419 → 00:17:44,930 he's killed
00:17:44,940 → 00:17:49,990 trying to drive a wild boar out of his
00:17:50,000 → 00:17:53,210 girlfriend's Garden where she has
00:17:53,220 → 00:17:56,390 planted roses
00:17:56,400 → 00:18:00,549 and she loves those roses and Adonis
00:18:00,559 → 00:18:03,470 Donna's can't can't put up with that
00:18:03,480 → 00:18:07,010 right it's his Drive everything that
00:18:07,020 → 00:18:10,250 isn't her must be stopped
00:18:10,260 → 00:18:13,610 that Garden that he's in that paradise
00:18:13,620 → 00:18:15,590 that he is in
00:18:15,600 → 00:18:18,590 he's the guardian of it
00:18:18,600 → 00:18:22,190 you know yeah that's Adonis
00:18:22,200 → 00:18:26,029 that's Adonis so good looks aside right
00:18:26,039 → 00:18:28,490 remember there's two very good looking
00:18:28,500 → 00:18:30,830 very good looking figures from Antiquity
00:18:30,840 → 00:18:33,350 who were the two best looking figures
Section 50: 00:18:33,360 – 00:18:59,750
00:18:33,360 → 00:18:36,710 from antiquity
00:18:36,720 → 00:18:39,710 number two Adonis
00:18:39,720 → 00:18:42,490 number one
00:18:42,500 → 00:18:46,450 in the same family the children of dawn
00:18:46,460 → 00:18:49,010 eosphoros the devil
00:18:49,020 → 00:18:51,529 yeah yeah did you know they're related
00:18:51,539 → 00:18:55,370 really really good looking family
00:18:55,380 → 00:18:57,070 you know what I mean
00:18:57,080 → 00:18:59,750 adonis's mother
Section 51: 00:18:59,760 – 00:19:18,549
00:18:59,760 → 00:19:03,049 adonis's mother is Mira
00:19:03,059 → 00:19:07,789 and Mira is that
00:19:07,799 → 00:19:10,549 oily
00:19:10,559 → 00:19:12,770 lubricant
00:19:12,780 → 00:19:18,549 drug containing medicinal abortifacient
Section 52: 00:19:18,559 – 00:19:49,549
00:19:18,559 → 00:19:22,730 psychotropic that they are using in the
00:19:22,740 → 00:19:23,510 right
00:19:23,520 → 00:19:26,930 she's confused in Antiquity with Smyrna
00:19:26,940 → 00:19:30,549 just like in the drugs coincidentally
00:19:30,559 → 00:19:34,510 Smyrna the drug is confused with [\h__\h]
00:19:34,520 → 00:19:38,029 or Mira the drug of
00:19:38,039 → 00:19:41,210 of the sexual practices
00:19:42,660 → 00:19:44,390 Cyprus
00:19:44,400 → 00:19:49,549 where we know how to celebrate Adonis
Section 53: 00:19:49,559 – 00:20:20,890
00:19:49,559 → 00:19:52,669 yes fantastic okay let's get hit the
00:19:52,679 → 00:19:54,830 Greek more Greek we need some more I'm
00:19:54,840 → 00:19:56,990 gonna we're gonna see the reason that we
00:19:57,000 → 00:20:00,710 all came yeah so the beautiful Adonis
00:20:00,720 → 00:20:04,730 right he's dead and the loves the
00:20:04,740 → 00:20:08,330 aerotes the loves imagine one love with
00:20:08,340 → 00:20:12,710 his bow Eros right imagine that broken
00:20:12,720 → 00:20:16,850 up in the universe as an invisible
00:20:16,860 → 00:20:20,890 Force throughout the cosmos
Section 54: 00:20:20,900 – 00:20:26,450
00:20:20,900 → 00:20:26,450 these forces these erotes are Mourning
Section 55: 00:20:26,460 – 00:20:47,289
00:20:26,460 → 00:20:30,110 you know they are in mourning why is
00:20:30,120 → 00:20:33,010 love in mourning
00:20:33,020 → 00:20:36,470 okay let's keep going let's keep going I
00:20:36,480 → 00:20:38,330 want to bring up a little bit of I want
00:20:38,340 → 00:20:40,610 to bring a little little bit of sappho
00:20:40,620 → 00:20:41,930 into it watch this people we're
00:20:41,940 → 00:20:43,549 switching to Dorian
00:20:43,559 → 00:20:47,289 play the Afrodita oh god
Section 56: 00:20:47,299 – 00:20:55,330
00:20:47,299 → 00:20:55,330 Aphrodite loosening her curly hair
Section 57: 00:20:55,340 – 00:21:20,409
00:20:55,340 → 00:20:59,570 she lets out the alalazo she lets out
00:20:59,580 → 00:21:01,970 that Hallelujah
00:21:01,980 → 00:21:05,990 she lets out that scream this appearance
00:21:06,000 → 00:21:07,669 that you see in the third line I want
00:21:07,679 → 00:21:09,830 you to focus on that I know most of you
00:21:09,840 → 00:21:11,870 don't know ancient Greek my students
00:21:11,880 → 00:21:14,029 right you're learning it but for those
00:21:14,039 → 00:21:15,950 of you who don't know it that third word
00:21:15,960 → 00:21:20,409 on the third line allale Tai
Section 58: 00:21:20,419 – 00:21:58,730
00:21:20,419 → 00:21:23,330 that is the oldest appearance of
00:21:23,340 → 00:21:27,230 Hallelujah this is from sappho
00:21:27,240 → 00:21:28,909 love it
00:21:28,919 → 00:21:31,970 love it let's look at what all that
00:21:31,980 → 00:21:34,250 because can we go to Hallelujah let me
00:21:34,260 → 00:21:36,289 finish Translating that before just so I
00:21:36,299 → 00:21:37,490 can see what
00:21:37,500 → 00:21:38,690 yeah yeah
00:21:38,700 → 00:21:40,970 um so you're shouting in all of your
00:21:40,980 → 00:21:43,549 sacred grove where you were with with
00:21:43,559 → 00:21:46,370 him right she's there when he dies
00:21:46,380 → 00:21:49,490 right and what is she she's walking
00:21:49,500 → 00:21:52,789 around our sandals without her shoes on
00:21:52,799 → 00:21:55,549 without her sandals on and she doesn't
00:21:55,559 → 00:21:58,730 have her plucked us she doesn't have her
Section 59: 00:21:58,740 – 00:22:35,570
00:21:58,740 → 00:22:02,270 hair braided it's all down and she is
00:22:02,280 → 00:22:04,789 full of pain let's go to the next text
00:22:04,799 → 00:22:08,810 please or the next slide yes I I we're
00:22:08,820 → 00:22:13,270 back to the lament let's be on by an eye
00:22:13,280 → 00:22:17,210 on oh you know there's that shout I I
00:22:17,220 → 00:22:18,890 right you can hear it you can hear the
00:22:18,900 → 00:22:21,710 women you can hear the women there ah
00:22:21,720 → 00:22:23,149 either bring it
00:22:23,159 → 00:22:25,070 aye right it's a repetition
00:22:25,080 → 00:22:28,370 aye aye right they're mourning kith or a
00:22:28,380 → 00:22:33,230 ride kyther a bee with us right the love
00:22:33,240 → 00:22:35,570 itself the loves they're all morning
Section 60: 00:22:35,580 – 00:23:06,529
00:22:35,580 → 00:22:38,990 Ryan because the man is dead
00:22:39,000 → 00:22:43,730 right the man is dead and his form his
00:22:43,740 → 00:22:47,450 holy form is lost
00:22:47,460 → 00:22:49,390 and then the third line
00:22:49,400 → 00:22:52,549 interestingly says
00:22:52,559 → 00:22:56,690 there is a beautiful form in Cyprus in
00:22:56,700 → 00:23:01,730 Aphrodite when Adonis lives but
00:23:01,740 → 00:23:06,529 the form dies with Adonis
Section 61: 00:23:06,539 – 00:23:28,669
00:23:06,539 → 00:23:09,590 the form dies with Adonis wait a minute
00:23:09,600 → 00:23:11,930 okay I want you to stand aside and say
00:23:11,940 → 00:23:15,649 where is the where is the cult taking me
00:23:15,659 → 00:23:19,490 because it's her dissolution when she
00:23:19,500 → 00:23:22,370 when Aphrodite loses Adonis
00:23:22,380 → 00:23:28,669 she loses the morphe she loses that form
Section 62: 00:23:28,679 – 00:23:59,149
00:23:28,679 → 00:23:33,350 and that Adonis is transferred
00:23:33,360 → 00:23:35,450 to the Korah
00:23:35,460 → 00:23:39,169 to the Korah and now she is in a season
00:23:39,179 → 00:23:40,909 of mourning
00:23:40,919 → 00:23:43,370 and suddenly I want you to start
00:23:43,380 → 00:23:47,690 smelling the kufi we are in the right we
00:23:47,700 → 00:23:50,570 are with the mourners we are undergoing
00:23:50,580 → 00:23:52,130 the right
00:23:52,140 → 00:23:54,529 and what is our next text this is going
00:23:54,539 → 00:23:56,930 to bring us back
00:23:56,940 → 00:23:59,149 boom
Section 63: 00:23:59,159 – 00:24:23,110
00:23:59,159 → 00:24:02,930 yeah blow it up please yep
00:24:02,940 → 00:24:05,450 we're in the right are you ready
00:24:05,460 → 00:24:08,870 the spirit right his Spirit what happens
00:24:08,880 → 00:24:14,750 I always say let that Spirit flow out
00:24:14,760 → 00:24:18,110 until they sell glucophiltron and milk
00:24:18,120 → 00:24:23,110 so I will milk
Section 64: 00:24:23,120 – 00:24:53,590
00:24:23,120 → 00:24:26,630 the sweet potion
00:24:26,640 → 00:24:28,850 of you
00:24:28,860 → 00:24:32,930 oh my God I will milk your sweet potion
00:24:32,940 → 00:24:35,870 what is she talking about what is she
00:24:35,880 → 00:24:38,529 talking about she says
00:24:38,539 → 00:24:44,270 I'm going to consume ton erota the love
00:24:44,280 → 00:24:48,490 I'm gonna consume the love and this
00:24:48,500 → 00:24:53,590 great philemma this great
Section 65: 00:24:53,600 – 00:25:40,370
00:24:53,600 → 00:24:56,890 manifestation of
00:24:56,900 → 00:25:00,350 filos that which is charming and
00:25:00,360 → 00:25:02,390 beautiful and lovely
00:25:02,400 → 00:25:06,350 this thing I will guard I will guard
00:25:06,360 → 00:25:08,990 this thing sorry about the mic I will
00:25:09,000 → 00:25:11,090 guard this thing
00:25:11,100 → 00:25:13,850 this film
00:25:13,860 → 00:25:17,090 yeah what is she doing she's bending now
00:25:17,100 → 00:25:20,570 please uh the men shut yourselves off
00:25:20,580 → 00:25:24,230 for a minute okay women we are in the
00:25:24,240 → 00:25:25,070 right
00:25:25,080 → 00:25:28,850 and she is taking the last breath
00:25:28,860 → 00:25:31,490 of her beloved
00:25:31,500 → 00:25:36,529 that this is that sustaining wind that
00:25:36,539 → 00:25:40,370 keeps that mystery alive
Section 66: 00:25:40,380 – 00:25:45,529
00:25:40,380 → 00:25:45,529 she will eventually recall him
Section 67: 00:25:45,539 – 00:26:08,870
00:25:45,539 → 00:25:48,950 she will recall him but she must first
00:25:48,960 → 00:25:51,230 remember we're a bunch of cultists in
00:25:51,240 → 00:25:54,350 Antiquity that's who's dancing around
00:25:54,360 → 00:25:59,149 she must first place him into death
00:25:59,159 → 00:26:03,590 he must first enter into death and be
00:26:03,600 → 00:26:08,870 subject to the great Korah
Section 68: 00:26:08,880 – 00:26:52,370
00:26:08,880 → 00:26:11,990 when she decides
00:26:12,000 → 00:26:16,549 he will return because Aphrodite will
00:26:16,559 → 00:26:19,549 bring him back
00:26:19,559 → 00:26:21,350 isn't that nice
00:26:21,360 → 00:26:24,110 isn't that nice you ladies who are
00:26:24,120 → 00:26:25,730 called this we've got to get this thing
00:26:25,740 → 00:26:29,769 up and going we've got enough funding
00:26:29,779 → 00:26:32,510 we've got enough trans-dimensional
00:26:32,520 → 00:26:35,510 funding I should say to go ahead and get
00:26:35,520 → 00:26:38,630 this thing running but we need to put
00:26:38,640 → 00:26:41,750 that person into that death State once
00:26:41,760 → 00:26:44,390 again it's a central part of the cold
00:26:44,400 → 00:26:46,430 it's a central part of the cold now
00:26:46,440 → 00:26:49,789 everybody put your roses on because as
00:26:49,799 → 00:26:52,370 sappho told us explicitly
Section 69: 00:26:52,380 – 00:27:09,590
00:26:52,380 → 00:26:55,310 this is only for those who were members
00:26:55,320 → 00:26:59,149 of the order of the Rose what it Where
00:26:59,159 → 00:27:01,310 does that Rose come from
00:27:01,320 → 00:27:03,049 where does that Rose I've heard a
00:27:03,059 → 00:27:04,990 thousand people and a thousand different
00:27:05,000 → 00:27:09,590 places talk about roses and Valentine's
Section 70: 00:27:09,600 – 00:27:16,630
00:27:09,600 → 00:27:12,529 Day and not a single person that ever
00:27:12,539 → 00:27:16,630 hit the target
Section 71: 00:27:16,640 – 00:27:41,210
00:27:16,640 → 00:27:18,649 you know what I mean
00:27:18,659 → 00:27:23,510 yeah missing the mark falling short did
00:27:23,520 → 00:27:25,250 you fall short
00:27:25,260 → 00:27:26,990 yeah
00:27:27,000 → 00:27:28,610 sometimes
00:27:28,620 → 00:27:31,190 sometimes people fall short
00:27:31,200 → 00:27:34,310 yeah let's go to the next let's go to
00:27:34,320 → 00:27:35,870 our next reading I want to get this is
00:27:35,880 → 00:27:38,930 real great stuff great stuff what's
00:27:38,940 → 00:27:41,210 happening papia
Section 72: 00:27:41,220 – 00:28:16,250
00:27:41,220 → 00:27:44,870 she pours out as many tears as Adonis
00:27:44,880 → 00:27:49,010 Let's Fall his drops of blood
00:27:49,020 → 00:27:53,090 yeah and the the Earth the Sun see that
00:27:53,100 → 00:27:54,830 in the second line guys who were taken
00:27:54,840 → 00:27:57,710 he uh guys who were taking Greek sunny
00:27:57,720 → 00:28:01,190 right that that earth that is drinking
00:28:02,100 → 00:28:05,149 all of the tears and blood what does it
00:28:05,159 → 00:28:07,789 do it produces on thing it produces
00:28:07,799 → 00:28:10,909 flowers hang in there with me you really
00:28:10,919 → 00:28:13,130 need to be on the throne for this
00:28:13,140 → 00:28:16,250 hang in there
Section 73: 00:28:16,260 – 00:28:29,210
00:28:16,260 → 00:28:19,970 you produce flowers
00:28:19,980 → 00:28:24,590 the blood produces the rose
00:28:24,600 → 00:28:29,210 the tears
Section 74: 00:28:29,210 – 00:28:56,390
00:28:29,210 → 00:28:29,220 the blood produces the rose the tears
00:28:29,220 → 00:28:31,970 the tears the anemone right
00:28:31,980 → 00:28:37,010 the Wind Flower yeah so cool
00:28:37,020 → 00:28:39,950 several species we think can identify
00:28:39,960 → 00:28:41,090 for that
00:28:41,100 → 00:28:43,970 but Rose we've got and that's from the
00:28:43,980 → 00:28:45,169 blood
00:28:45,179 → 00:28:48,350 that's from the blood and remember what
00:28:48,360 → 00:28:50,510 is in that cup
00:28:50,520 → 00:28:56,390 I give you my blood
Section 75: 00:28:56,400 – 00:29:29,090
00:28:58,200 → 00:29:04,789 it this this symbolon was so powerful in
00:29:04,799 → 00:29:07,610 Antiquity that even when Christianity
00:29:07,620 → 00:29:11,090 took a hold of the state apparatus it
00:29:11,100 → 00:29:14,510 was still able to penetrate Society this
00:29:14,520 → 00:29:17,149 symbol of the Rose
00:29:17,159 → 00:29:19,909 and what it meant
00:29:19,919 → 00:29:21,049 yeah
00:29:21,059 → 00:29:22,909 it is the blood
00:29:22,919 → 00:29:29,090 the blood of the Dying God
Section 76: 00:29:29,100 – 00:30:10,130
00:29:29,100 → 00:29:33,049 you must become like a child
00:29:33,059 → 00:29:36,950 do you have the blood of the Dying God
00:29:36,960 → 00:29:38,450 yeah
00:29:38,460 → 00:29:42,130 do you have the blood of the Dying God
00:29:42,140 → 00:29:45,470 this is the mystery
00:29:45,480 → 00:29:48,710 fantastic bring us up another one
00:29:48,720 → 00:29:50,690 we got bullets we got a few more bullets
00:29:50,700 → 00:29:52,549 here thank you thank you for taking a
00:29:52,559 → 00:29:54,470 little extra time tonight I appreciate
00:29:54,480 → 00:29:57,789 it I appreciate it yeah
00:29:57,799 → 00:30:02,710 let all of those let all of that mirror
00:30:02,720 → 00:30:05,930 all of those drugs that we're using and
00:30:05,940 → 00:30:08,750 they're using a lot I was reading once
00:30:08,760 → 00:30:10,130 and uh
Section 77: 00:30:10,140 – 00:30:58,130
00:30:10,140 → 00:30:14,630 an ancient Treatise on I forget what the
00:30:14,640 → 00:30:16,070 whole thing was about
00:30:16,080 → 00:30:18,950 but in an intersection on different
00:30:18,960 → 00:30:21,889 words in Greek for uterus what we call
00:30:21,899 → 00:30:23,810 uterus today
00:30:23,820 → 00:30:26,570 and in it it talked at lengths about
00:30:26,580 → 00:30:29,269 different kinds of problems
00:30:29,279 → 00:30:30,529 um chafing
00:30:30,539 → 00:30:32,690 what do you do when you're pudenda
00:30:32,700 → 00:30:35,570 become chafed in antiquity
00:30:35,580 → 00:30:37,730 this is a problem
00:30:37,740 → 00:30:40,970 and they have all sorts of oils and
00:30:40,980 → 00:30:42,409 perfumes
00:30:42,419 → 00:30:46,730 they've got creams they've got all sorts
00:30:46,740 → 00:30:49,370 of things that they're putting inside
00:30:49,380 → 00:30:52,610 outside taking them in all sorts of ways
00:30:52,620 → 00:30:55,490 cutting their skin rubbing it on the
00:30:55,500 → 00:30:58,130 skin to get it that way
Section 78: 00:30:58,140 – 00:31:20,409
00:30:58,140 → 00:31:01,010 yeah all sorts of stuff
00:31:01,020 → 00:31:05,450 so um and these are sex drugs
00:31:05,460 → 00:31:08,870 sex drugs they're ones that will kill
00:31:08,880 → 00:31:12,350 things that you don't want to be there
00:31:12,360 → 00:31:15,169 in the process you know what I mean like
00:31:15,179 → 00:31:20,409 that one that you can get the gonora
Section 79: 00:31:20,419 – 00:31:59,510
00:31:20,419 → 00:31:25,250 you know you gotta use some plants you
00:31:25,260 → 00:31:28,250 got to put some toxins in a mix and put
00:31:28,260 → 00:31:31,310 it on somebody's private parts
00:31:31,320 → 00:31:34,789 yeah you've got to wash out you've got
00:31:34,799 → 00:31:37,850 to wash out the area with these right
00:31:37,860 → 00:31:40,669 this is ancient medicine this is ancient
00:31:40,679 → 00:31:42,830 medicine let's these are the people
00:31:42,840 → 00:31:45,590 we're dealing with right and okay let's
00:31:45,600 → 00:31:48,350 keep going just remember these the the
00:31:48,360 → 00:31:50,450 drugs have to be there right we're
00:31:50,460 → 00:31:52,010 trading this stuff all over the place
00:31:52,020 → 00:31:56,269 this is making the economy uh roll yeah
00:31:56,279 → 00:31:59,510 you people should be happy yeah not you
Section 80: 00:31:59,520 – 00:32:36,110
00:31:59,520 → 00:32:00,950 people personally but you know what I
00:32:00,960 → 00:32:03,529 mean people in general yeah um let that
00:32:03,539 → 00:32:06,590 myrrh go away yeah right Adonis is
00:32:06,600 → 00:32:09,529 destroyed your your s your myrrh right
00:32:09,539 → 00:32:11,210 you've got no reason to have it anymore
00:32:11,220 → 00:32:13,669 look at the second line the hottie taste
00:32:13,679 → 00:32:16,070 these are the forces that always
00:32:16,080 → 00:32:18,529 accompany Aphrodite and if you don't
00:32:18,539 → 00:32:20,870 understand the hottie taste you cannot
00:32:20,880 → 00:32:22,789 understand the mystery
00:32:22,799 → 00:32:24,889 the word hottest
00:32:24,899 → 00:32:27,169 is the singular
00:32:27,179 → 00:32:29,269 and you'll recognize right away in all
00:32:29,279 → 00:32:31,330 the evangelicals will go
00:32:31,340 → 00:32:32,870 what
00:32:32,880 → 00:32:36,110 Grace grace and mercy and peace do you
Section 81: 00:32:36,120 – 00:33:13,730
00:32:36,120 → 00:32:38,990 know what Grace is Grace is the feeling
00:32:39,000 → 00:32:41,750 that you get when you look into the eyes
00:32:41,760 → 00:32:44,930 of your lover while you're orgasming
00:32:44,940 → 00:32:47,210 Grace
00:32:47,220 → 00:32:50,750 Grace are you kidding
00:32:50,760 → 00:32:54,230 these haritays are pictured what is
00:32:54,240 → 00:32:56,830 Grace in the mind of the ancient world
00:32:56,840 → 00:33:00,350 Grace is a beautiful woman
00:33:00,360 → 00:33:02,330 I didn't make this stuff up I don't care
00:33:02,340 → 00:33:03,769 where you put it and where your politics
00:33:03,779 → 00:33:06,049 are I really don't care Grace is a
00:33:06,059 → 00:33:08,210 beautiful woman
00:33:08,220 → 00:33:10,090 who accompanies
00:33:10,100 → 00:33:13,730 she who is loved
Section 82: 00:33:13,740 – 00:33:56,389
00:33:13,740 → 00:33:15,289 wow
00:33:15,299 → 00:33:20,769 wow wow okay okay do you see how the how
00:33:20,779 → 00:33:23,389 woman-centered this all is it's
00:33:23,399 → 00:33:25,990 incredibly woman centered and remember
00:33:26,000 → 00:33:29,690 our goddess poet who's writing this she
00:33:29,700 → 00:33:33,110 is a lesbian from Lesbos
00:33:33,120 → 00:33:35,029 right
00:33:35,039 → 00:33:37,310 she has female lovers she's a school
00:33:37,320 → 00:33:41,330 teacher she's got students ride okay say
00:33:41,340 → 00:33:43,490 what you want go ahead I can hear him
00:33:43,500 → 00:33:45,409 let me hear the complaints let me hear
00:33:45,419 → 00:33:46,970 the complaints it wasn't me it was
00:33:46,980 → 00:33:50,149 sappho it was sappho
00:33:50,159 → 00:33:52,490 yes and she's fallen in love with a
00:33:52,500 → 00:33:54,350 student again
00:33:54,360 → 00:33:56,389 right
Section 83: 00:33:56,399 – 00:34:27,530
00:33:56,399 → 00:33:59,990 so who better to write about the power
00:34:00,000 → 00:34:03,470 of persuasion and the power of Grace
00:34:03,480 → 00:34:06,470 that's the other entity that accompanies
00:34:06,480 → 00:34:07,730 Aphrodite
00:34:07,740 → 00:34:10,490 persuasion
00:34:10,500 → 00:34:13,790 yeah desire
00:34:13,800 → 00:34:19,190 yeah love it oh wow he met us right that
00:34:19,200 → 00:34:21,950 desire that desire are you getting it
00:34:21,960 → 00:34:24,550 and this is from
00:34:24,560 → 00:34:27,530 women-centered societies
Section 84: 00:34:27,540 – 00:34:53,649
00:34:27,540 → 00:34:29,869 all right do you know why we're here
00:34:29,879 → 00:34:32,210 we're only here because of Diana
00:34:32,220 → 00:34:34,609 we're only here because of Diana you
00:34:34,619 → 00:34:38,210 mean that poor of poison that archerous
00:34:38,220 → 00:34:42,230 from up on the Black Sea who
00:34:42,240 → 00:34:44,690 Madea's walking around and everybody's
00:34:44,700 → 00:34:47,030 calling her diwanasa
00:34:47,040 → 00:34:48,730 yeah that's who we're talking about
00:34:48,740 → 00:34:51,409 she's the one who's planting this that
00:34:51,419 → 00:34:53,649 Diana
Section 85: 00:34:53,659 – 00:35:40,550
00:34:53,659 → 00:34:56,869 because of her son
00:34:56,879 → 00:35:00,170 and his disrespect the fact that he was
00:35:00,180 → 00:35:02,890 disrespected right
00:35:02,900 → 00:35:07,190 he cursed Aphrodite Diana's son cursed
00:35:07,200 → 00:35:08,329 Aphrodite
00:35:08,339 → 00:35:12,349 right wow how is this the Virgin goddess
00:35:12,359 → 00:35:16,490 because that hippolysis is that child
00:35:16,500 → 00:35:19,010 she was his leader
00:35:19,020 → 00:35:22,010 she was the head Huntress and he was the
00:35:22,020 → 00:35:25,190 follower he was the devotee
00:35:25,200 → 00:35:27,410 and when you're in a Bronze Age Society
00:35:27,420 → 00:35:29,630 where women are leaders
00:35:29,640 → 00:35:32,150 there's a special relationship with that
00:35:32,160 → 00:35:36,770 devotee that is like a mother to her son
00:35:36,780 → 00:35:39,290 and what happens to him he gets killed
00:35:39,300 → 00:35:40,550 by Aphrodite
Section 86: 00:35:40,560 – 00:36:12,890
00:35:40,560 → 00:35:42,410 he gets killed by Aphrodite do you know
00:35:42,420 → 00:35:45,050 why because he disrespected her and he
00:35:45,060 → 00:35:47,450 was Immortal shame on him
00:35:47,460 → 00:35:50,690 right this is Aphrodite
00:35:50,700 → 00:35:53,510 aphrodite has the power to do things she
00:35:53,520 → 00:35:56,810 made an entire Island an entire island
00:35:56,820 → 00:35:59,030 of women she punished them
00:35:59,040 → 00:36:01,490 for not respecting her
00:36:01,500 → 00:36:03,349 this is what happens what happens when
00:36:03,359 → 00:36:05,329 you don't respect Aphrodite
00:36:05,339 → 00:36:07,490 I'm gonna tell you from the text these
00:36:07,500 → 00:36:08,750 are the limiting women I'm going to tell
00:36:08,760 → 00:36:10,069 you first
00:36:10,079 → 00:36:12,890 for all certainty
Section 87: 00:36:12,900 – 00:36:43,190
00:36:12,900 → 00:36:15,670 or text say the lemony and women
00:36:15,680 → 00:36:20,329 suddenly became very very smelly
00:36:20,339 → 00:36:22,849 in places of
00:36:22,859 → 00:36:24,530 holiness
00:36:24,540 → 00:36:28,310 where rights should be being celebrated
00:36:28,320 → 00:36:30,829 so that they can come to the Hallelujah
00:36:30,839 → 00:36:34,670 because the only thing the poet wants is
00:36:34,680 → 00:36:38,510 to find that Hallelujah to drink that
00:36:38,520 → 00:36:43,190 Hallelujah from Aphrodite's lips bring
Section 88: 00:36:43,200 – 00:37:13,310
00:36:43,200 → 00:36:44,750 up the Hallelujah
00:36:44,760 → 00:36:47,750 bring up Hallelujah blow that guy up
00:36:47,760 → 00:36:49,010 here he's all
00:36:49,020 → 00:36:52,130 time up there I can't see a lots of yeah
00:36:52,140 → 00:36:54,890 cry or shout aloud right that's okay
00:36:54,900 → 00:36:57,349 crying inshallah look at we have it of
00:36:57,359 → 00:36:59,089 Bacchus I just want you to look at
00:36:59,099 → 00:37:01,970 paragraph number two or section two
00:37:01,980 → 00:37:04,370 generally a cry a shot alive especially
00:37:04,380 → 00:37:07,430 and you guys never believe me I know you
00:37:07,440 → 00:37:09,530 don't it's not you personally but this
00:37:09,540 → 00:37:11,690 always happens I tell people things and
00:37:11,700 → 00:37:13,310 they eventually come back to me and they
Section 89: 00:37:13,320 – 00:37:32,930
00:37:13,320 → 00:37:14,870 say oh my God you were right about that
00:37:14,880 → 00:37:16,370 you were making that up yeah no no no
00:37:16,380 → 00:37:20,270 this is of orgyastic Rights right it's a
00:37:20,280 → 00:37:22,089 shout hallelujah
00:37:22,099 → 00:37:25,010 hallelujah when that Seder
00:37:25,020 → 00:37:28,910 has brought you to that place
00:37:28,920 → 00:37:32,930 of complete and total ecstasy
Section 90: 00:37:32,940 – 00:37:56,569
00:37:32,940 → 00:37:36,890 that's why he's been plugged in
00:37:36,900 → 00:37:40,490 he's got a good 24 hours before that
00:37:40,500 → 00:37:42,230 stuff wears off
00:37:42,240 → 00:37:44,750 yeah and he's good for it for another 24
00:37:44,760 → 00:37:46,609 hours we'll kill him if we take him much
00:37:46,619 → 00:37:48,230 further than that
00:37:48,240 → 00:37:50,450 remember the society that we're coming
00:37:50,460 → 00:37:53,810 from this is a society with a female
00:37:53,820 → 00:37:56,569 Central Authority
Section 91: 00:37:56,579 – 00:38:16,490
00:37:56,579 → 00:37:59,470 right okay okay it's
00:37:59,480 → 00:38:01,970 gorgeous gorgeous let's go back to the
00:38:01,980 → 00:38:04,250 let's go to the next whoever comes next
00:38:04,260 → 00:38:08,510 right yeah oh look at this oh what
00:38:08,520 → 00:38:10,750 happens what does the chorus do of women
00:38:10,760 → 00:38:16,490 they try to encant him they try to order
Section 92: 00:38:16,500 – 00:38:46,069
00:38:16,500 → 00:38:19,310 him they try to bring him back these are
00:38:19,320 → 00:38:22,390 epoes you know what epos are they're
00:38:22,400 → 00:38:27,470 ancient songs that can affect your
00:38:27,480 → 00:38:29,270 surroundings
00:38:29,280 → 00:38:32,170 whether it's bringing a hail storm
00:38:32,180 → 00:38:34,370 whether it's destroy your neighbors
00:38:34,380 → 00:38:36,589 crops whether it's give your neighbor a
00:38:36,599 → 00:38:39,770 disease start a pandemic
00:38:39,780 → 00:38:43,450 whatever you want these are the
00:38:43,460 → 00:38:46,069 apotic forces
Section 93: 00:38:46,079 – 00:39:28,790
00:38:46,079 → 00:38:48,410 Cosmic
00:38:48,420 → 00:38:50,030 quantum
00:38:50,040 → 00:38:52,010 Force
00:38:52,020 → 00:38:54,170 and that's what we're doing we're being
00:38:54,180 → 00:38:56,329 epoes we're using that magic people said
00:38:56,339 → 00:38:58,190 Medea's drugs were strong
00:38:58,200 → 00:39:00,170 but even stronger than the drugs were
00:39:00,180 → 00:39:03,470 her songs and that's why the fleece is
00:39:03,480 → 00:39:05,870 an animal skin with
00:39:05,880 → 00:39:09,890 the song of the queen written thereon in
00:39:09,900 → 00:39:11,990 Magic ink
00:39:12,000 → 00:39:14,750 guarded by a dragon
00:39:14,760 → 00:39:16,970 in a Grove of Mars
00:39:16,980 → 00:39:19,370 specific place on the east side of the
00:39:19,380 → 00:39:21,790 Black Sea Georgia modern day Georgia
00:39:21,800 → 00:39:25,069 fantastic Let's uh translate oh and he's
00:39:25,079 → 00:39:26,329 not going to listen to you so they're
00:39:26,339 → 00:39:28,790 encanting him like the witches right do
Section 94: 00:39:28,800 – 00:40:07,250
00:39:28,800 → 00:39:31,310 you know who screams Hallelujah do you
00:39:31,320 → 00:39:32,990 know who screams Hallelujah in Greek and
00:39:33,000 → 00:39:34,550 we're getting back to the Hebrew don't
00:39:34,560 → 00:39:37,069 worry we're not we're not done with
00:39:37,079 → 00:39:39,829 Adonai right we're going to get back to
00:39:39,839 → 00:39:42,430 that fabrication because I'm taking
00:39:42,440 → 00:39:45,890 smell the original again a thousand
00:39:45,900 → 00:39:47,450 years before
00:39:47,460 → 00:39:50,210 they have even proto-hebrew they've got
00:39:50,220 → 00:39:53,510 this
00:39:53,520 → 00:39:56,210 somebody wrote to me this week I'll just
00:39:56,220 → 00:39:57,589 take a two-minute break with this
00:39:57,599 → 00:39:59,750 somebody wrote to me this week I love it
00:39:59,760 → 00:40:02,089 when people do it somebody wrote to me
00:40:02,099 → 00:40:04,370 and said hey I'm curious about this
00:40:04,380 → 00:40:07,250 thing called the moabite Steely Ryan
Section 95: 00:40:07,260 – 00:40:40,490
00:40:07,260 → 00:40:09,589 what is it and what
00:40:09,599 → 00:40:12,470 I don't know I don't know but I looked
00:40:12,480 → 00:40:15,890 it up and it's not even in Hebrew
00:40:15,900 → 00:40:18,589 right well it has the name of God it
00:40:18,599 → 00:40:21,170 looks like it's a Venetian and what
00:40:21,180 → 00:40:23,630 people say it's there's a chance it's
00:40:23,640 → 00:40:26,329 fake you mean it's not a did they find
00:40:26,339 → 00:40:28,849 this at a dig or didn't they
00:40:28,859 → 00:40:31,190 right well it's been questioned I think
00:40:31,200 → 00:40:35,210 it's real now what is it it's not Hebrew
00:40:35,220 → 00:40:40,490 the point that we're bringing
Section 96: 00:40:40,500 – 00:41:11,210
00:40:40,500 → 00:40:42,589 is always do
00:40:42,599 → 00:40:45,050 the research with the evidence don't
00:40:45,060 → 00:40:48,109 come up with stupid ideas just present
00:40:48,119 → 00:40:52,190 the evidence we have no Hebrew
00:40:52,200 → 00:40:53,930 you say we have inscriptions yeah most
00:40:53,940 → 00:40:56,390 of them are one letter that could be
00:40:56,400 → 00:40:58,550 scratches as well as a letter
00:40:58,560 → 00:41:02,030 there is no Library we are drowning in
00:41:02,040 → 00:41:06,290 the Greek we are drowning in it an atom
00:41:06,300 → 00:41:11,210 an Adonis come from this Mycenaean old
Section 97: 00:41:11,220 – 00:41:36,770
00:41:11,220 → 00:41:14,870 Greek old Greek
00:41:14,880 → 00:41:17,750 yeah so we're in trouble people the the
00:41:17,760 → 00:41:20,030 reality that we've been presented is not
00:41:20,040 → 00:41:23,750 is not there let's go uh let's just go
00:41:23,760 → 00:41:25,430 ahead and Flash the Mycenaean up there
00:41:25,440 → 00:41:31,870 here's the root look at this
00:41:31,880 → 00:41:36,770 right there's your Adon root
Section 98: 00:41:36,780 – 00:42:06,050
00:41:36,780 → 00:41:40,089 you like that your odd down root
00:41:40,099 → 00:41:41,810 fantastic
00:41:41,820 → 00:41:43,790 gorgeous and by the way that's a
00:41:43,800 → 00:41:45,650 personal name that's just some dude that
00:41:45,660 → 00:41:47,990 was you know scribes so and so or
00:41:48,000 → 00:41:49,370 something or somebody who owed the
00:41:49,380 → 00:41:51,109 palace money or something got his name
00:41:51,119 → 00:41:53,690 written in there right okay good so
00:41:53,700 → 00:41:55,670 we've got that root straight up let's go
00:41:55,680 → 00:41:58,310 back to the forms now where wherever we
00:41:58,320 → 00:42:00,589 were next let's yeah go ahead go ahead
00:42:00,599 → 00:42:02,390 let's just keep let's just those are
00:42:02,400 → 00:42:04,370 good texts go ahead look at this and
00:42:04,380 → 00:42:06,050 they tried to bring him up but what
Section 99: 00:42:06,060 – 00:42:28,970
00:42:06,060 → 00:42:08,390 happened he couldn't right why because
00:42:08,400 → 00:42:11,630 in that second line the quora the Cora
00:42:11,640 → 00:42:14,150 wouldn't let him go right she wouldn't
00:42:14,160 → 00:42:17,270 let him go you must be again for those
00:42:17,280 → 00:42:20,569 of us who are in the right you must be
00:42:20,579 → 00:42:25,670 possessed by the Korra in death in order
00:42:25,680 → 00:42:28,970 to be born again
Section 100: 00:42:28,980 – 00:42:59,950
00:42:28,980 → 00:42:32,270 good do you understand okay we're
00:42:32,280 → 00:42:34,910 getting closer I know just focus on that
00:42:34,920 → 00:42:37,069 image next text I'm gonna hit him hit
00:42:37,079 → 00:42:39,109 him again hit him with another one yeah
00:42:39,119 → 00:42:40,130 look at this
00:42:40,140 → 00:42:42,829 um just so we don't feel that we're out
00:42:42,839 → 00:42:45,290 of place with the Hallelujah and out of
00:42:45,300 → 00:42:47,450 context this is what the seminarians oh
00:42:47,460 → 00:42:49,609 let me get my whip this is what the
00:42:49,619 → 00:42:53,329 seminarians oh I love this stop it I
00:42:53,339 → 00:42:55,730 love it on your creek
00:42:57,000 → 00:42:59,950 it's so red
Section 101: 00:42:59,960 – 00:43:13,609
00:42:59,960 → 00:43:03,109 this is okay it shouldn't feel so good
00:43:03,119 → 00:43:05,809 right something like that shouldn't feel
00:43:05,819 → 00:43:08,329 so good but it does it feels so good
00:43:08,339 → 00:43:13,609 okay
Section 102: 00:43:13,619 – 00:43:53,329
00:43:13,619 → 00:43:15,349 I don't want to get too far away from
00:43:15,359 → 00:43:18,170 Jesus
00:43:18,180 → 00:43:20,569 because he touches upon the whole Adonai
00:43:20,579 → 00:43:22,010 business
00:43:22,020 → 00:43:24,710 let's look at that quote
00:43:24,720 → 00:43:28,250 and so they came to they came to this
00:43:28,260 → 00:43:30,109 house the house of the guy who was
00:43:30,119 → 00:43:32,450 leader of the synagogue right remember
00:43:32,460 → 00:43:35,750 synagogue Greek word right soon I go
00:43:35,760 → 00:43:38,450 again right and uh what did he see he
00:43:38,460 → 00:43:40,849 sees this crowd of people and their
00:43:40,859 → 00:43:43,790 client tastes they're like wailing and
00:43:43,800 → 00:43:47,170 they're Hallelujah you see the Allah
00:43:47,180 → 00:43:51,230 they're Hallelujah and what is he enters
00:43:51,240 → 00:43:53,329 into the place and he says to him hey
Section 103: 00:43:53,339 – 00:44:11,450
00:43:53,339 → 00:43:55,849 what what are you crowd making for what
00:43:55,859 → 00:43:58,609 are you what's all this yelling about
00:43:58,619 → 00:44:01,849 he says the kid isn't dead she's just
00:44:01,859 → 00:44:03,470 sleeping
00:44:03,480 → 00:44:06,790 right it's a crowd of mourners because
00:44:06,800 → 00:44:11,450 head of synagogues daughter has died
Section 104: 00:44:11,460 – 00:44:43,270
00:44:11,460 → 00:44:13,089 yeah yeah
00:44:13,099 → 00:44:16,970 and what are the mourners doing they're
00:44:16,980 → 00:44:20,270 entering into the Hallelujah
00:44:20,280 → 00:44:21,950 they're entering in
00:44:21,960 → 00:44:26,390 to that place of mourning it is a right
00:44:26,400 → 00:44:29,690 that very much is centered upon what you
00:44:29,700 → 00:44:31,849 and I call death
00:44:31,859 → 00:44:34,970 and burial the whole experience of death
00:44:34,980 → 00:44:38,510 and burial and mourning wrapped up into
00:44:38,520 → 00:44:43,270 a mystery centered around lovers
Section 105: 00:44:43,280 – 00:45:10,250
00:44:43,280 → 00:44:45,829 centered around lovers
00:44:45,839 → 00:44:47,510 yeah we're getting closer bring us the
00:44:47,520 → 00:44:49,490 next text I can hear it I hear somebody
00:44:49,500 → 00:44:52,550 out there is coming coming to the peak I
00:44:52,560 → 00:44:54,069 know that you are
00:44:54,079 → 00:44:56,390 Throne remember that word that we saw
00:44:56,400 → 00:44:57,829 leave that up there Chewie but remember
00:44:57,839 → 00:45:00,230 that word that we saw in Nero
00:45:00,240 → 00:45:04,609 right yeah yeah that Paul Lutheran on
00:45:04,619 → 00:45:08,329 right that polythonic well this is the
00:45:08,339 → 00:45:10,250 poikilathronic
Section 106: 00:45:10,260 – 00:45:53,210
00:45:10,260 → 00:45:14,210 the POI kilothronic Aphrodite and it's
00:45:14,220 → 00:45:18,410 afro Dita because of the because of the
00:45:18,420 → 00:45:21,770 Doric wait what yes the worship of
00:45:21,780 → 00:45:26,030 Aphrodite and Adonis is Doric
00:45:26,040 → 00:45:28,550 how do we know because the language
00:45:28,560 → 00:45:31,130 they're using it's all dork baby they
00:45:31,140 → 00:45:32,690 love this stuff
00:45:32,700 → 00:45:35,870 okay cool they weren't such bad Invaders
00:45:35,880 → 00:45:38,030 after all were they well look what they
00:45:38,040 → 00:45:40,550 left us remember the aeolians are
00:45:40,560 → 00:45:42,170 involved as soon as you get the aliens
00:45:42,180 → 00:45:44,569 involved you're gonna be square and
00:45:44,579 → 00:45:49,550 dactylic hexameter right love it this is
00:45:49,560 → 00:45:53,210 music this is music they sang when they
Section 107: 00:45:53,220 – 00:46:25,250
00:45:53,220 → 00:45:54,170 spoke
00:45:54,180 → 00:45:56,930 something higher going on right a lot of
00:45:56,940 → 00:45:59,630 drugs stimulating their brains higher
00:45:59,640 → 00:46:01,790 and higher you know what I mean and here
00:46:01,800 → 00:46:05,390 she is she's Immortal athanata right and
00:46:05,400 → 00:46:07,790 she's the piadios the Son of God oh
00:46:07,800 → 00:46:11,150 excuse me daughter of God
00:46:11,160 → 00:46:14,450 I forgot you've you've been with the Son
00:46:14,460 → 00:46:16,790 of God for so long that you didn't know
00:46:16,800 → 00:46:19,609 that there's a daughter of God
00:46:19,619 → 00:46:22,790 who is our Morning Star
00:46:22,800 → 00:46:25,250 the dawnbringer
Section 108: 00:46:25,260 – 00:46:58,130
00:46:25,260 → 00:46:28,069 yeah she's the one wearing that golden
00:46:28,079 → 00:46:32,710 bra that Jesus puts on in the apocalypse
00:46:32,720 → 00:46:36,770 before he wipes everybody out
00:46:36,780 → 00:46:38,569 right
00:46:38,579 → 00:46:41,870 he's got all our attributes
00:46:41,880 → 00:46:44,329 right think about that
00:46:44,339 → 00:46:47,270 there is a religion right now
00:46:47,280 → 00:46:50,690 that is waiting for their cross-dressing
00:46:50,700 → 00:46:54,550 Son of God to come back so he can
00:46:54,560 → 00:46:58,130 maniacally Slaughter us all
Section 109: 00:46:58,140 – 00:47:35,630
00:46:58,140 → 00:47:02,150 serial killer Divine style where's that
00:47:02,160 → 00:47:04,370 guy's naked boy whatever happened to
00:47:04,380 → 00:47:06,109 that naked boy that was with Jesus I
00:47:06,119 → 00:47:09,050 tell you I'm gonna find him it's 40
00:47:09,060 → 00:47:11,329 minutes or so I'm gonna find him I'm
00:47:11,339 → 00:47:14,390 gonna find that naked kid I don't care
00:47:14,400 → 00:47:16,609 where you guys have hidden them
00:47:16,619 → 00:47:17,990 right
00:47:18,000 → 00:47:21,970 when when we go through it and we end up
00:47:21,980 → 00:47:26,089 in the ion as they call it
00:47:26,099 → 00:47:29,630 yeah I'm gonna find that kid I'm gonna
00:47:29,640 → 00:47:32,030 summon his ghost I'm gonna pull him
00:47:32,040 → 00:47:35,630 toward me yeah and I'm gonna use him I'm
Section 110: 00:47:35,640 – 00:48:18,109
00:47:35,640 → 00:47:37,130 gonna use him
00:47:37,140 → 00:47:40,849 is a instrument of my righteous
00:47:40,859 → 00:47:44,690 of my righteous indignation against thee
00:47:44,700 → 00:47:47,930 God who comes wearing the costume of
00:47:47,940 → 00:47:51,230 Venus in order to Massacre
00:47:51,240 → 00:47:53,030 remember David
00:47:53,040 → 00:47:56,809 you can talk about Adonai and Psalms you
00:47:56,819 → 00:47:59,150 can talk about Adonai and Psalms and
00:47:59,160 → 00:48:01,130 every time you're going to find a kurios
00:48:01,140 → 00:48:03,829 there and that's why the Hebrew Scholars
00:48:03,839 → 00:48:07,069 who screwed up said oh
00:48:07,079 → 00:48:10,069 um let's be unoriginal and say this word
00:48:10,079 → 00:48:13,069 goes back to meaning Lord
00:48:13,079 → 00:48:15,290 thank you that's it was already there in
00:48:15,300 → 00:48:18,109 the text right they're doing the best
Section 111: 00:48:18,119 – 00:48:45,650
00:48:18,119 → 00:48:19,190 they can
00:48:19,200 → 00:48:21,410 they're doing the best they can what can
00:48:21,420 → 00:48:26,150 you do with 8 000 unique words against
00:48:26,160 → 00:48:28,130 hundreds
00:48:28,140 → 00:48:31,670 thousands you can't you can't compete in
00:48:31,680 → 00:48:33,950 order to appropriate you have to drag
00:48:33,960 → 00:48:36,530 that stuff in you have to say well we've
00:48:36,540 → 00:48:38,510 got we're going to cover that up
00:48:38,520 → 00:48:40,370 we're going to give you an artificial
00:48:40,380 → 00:48:41,990 surface there you don't know what's
00:48:42,000 → 00:48:43,790 underneath don't look what's underneath
Section 112: 00:48:45,660 – 00:49:10,190
00:48:47,880 → 00:48:50,210 why would you want to appropriate that
00:48:50,220 → 00:48:52,010 material anyway why would you want to
00:48:52,020 → 00:48:54,650 steal and create an adenai
00:48:54,660 → 00:48:57,950 why would you want to do that
00:48:57,960 → 00:49:01,790 yeah identification is a funny thing and
00:49:01,800 → 00:49:04,490 it does it drives our societies and
00:49:04,500 → 00:49:08,270 peoples to do certain things to create
00:49:08,280 → 00:49:10,190 justifications
Section 113: 00:49:10,200 – 00:49:40,730
00:49:10,200 → 00:49:11,750 right
00:49:11,760 → 00:49:14,870 yeah it's very dangerous it's a very
00:49:14,880 → 00:49:17,150 dangerous manipulation what are we here
00:49:17,160 → 00:49:19,550 for is true sataness we're here for the
00:49:19,560 → 00:49:20,569 history
00:49:20,579 → 00:49:22,370 all right we're here for the facts we
00:49:22,380 → 00:49:24,349 just want to know what happened
00:49:24,359 → 00:49:26,690 right we just we're just part of the
00:49:26,700 → 00:49:28,550 part of the Union man we're just
00:49:28,560 → 00:49:31,309 following along we want to know
00:49:31,319 → 00:49:34,309 give us the facts okay bring us up that
00:49:34,319 → 00:49:35,990 I'm sorry I'm a little bit preaching
00:49:36,000 → 00:49:37,609 tonight I'm going to lose lose my
00:49:37,619 → 00:49:38,870 audience because I know you guys have
00:49:38,880 → 00:49:40,730 been you know important things to do
Section 114: 00:49:40,740 – 00:50:22,730
00:49:40,740 → 00:49:43,970 give me that one go ahead go ahead yes
00:49:43,980 → 00:49:46,490 yeah who are we praying to we're praying
00:49:46,500 → 00:49:48,010 to that
00:49:48,020 → 00:49:52,329 you know that one who has that intense
00:49:52,339 → 00:49:55,970 wit now back at the date right she is
00:49:55,980 → 00:49:59,150 the one who has that intense wit that
00:49:59,160 → 00:50:02,150 way of thinking to be able to weave the
00:50:02,160 → 00:50:04,490 cosmos around herself
00:50:04,500 → 00:50:08,809 yeah you have to have a lot up here if
00:50:08,819 → 00:50:11,870 you're going to Muse the universe into
00:50:11,880 → 00:50:15,349 existence what the grace thought that
00:50:15,359 → 00:50:18,109 the Universe was the production of a
00:50:18,119 → 00:50:22,730 woman's brain My Yacht my inner Yahoo he
Section 115: 00:50:22,740 – 00:51:05,870
00:50:22,740 → 00:50:25,730 says that's not bad my follower of
00:50:25,740 → 00:50:28,849 Yahweh says that's not bad
00:50:28,859 → 00:50:32,089 right kick out the wife anyway we didn't
00:50:32,099 → 00:50:35,030 need her anyway right there is no divine
00:50:35,040 → 00:50:37,790 feminine where's the divine feminine
00:50:37,800 → 00:50:40,849 right they're all killing female
00:50:40,859 → 00:50:43,849 prophets did you know every one of these
00:50:43,859 → 00:50:46,430 prophets has blood on their hands and
00:50:46,440 → 00:50:48,290 it's feminine blood
00:50:48,300 → 00:50:50,150 better yet
00:50:50,160 → 00:50:52,490 right they're trying to get rid of this
00:50:52,500 → 00:50:54,410 right Solomon was bringing that stuff
00:50:54,420 → 00:50:58,069 back in shout out shout out to everybody
00:50:58,079 → 00:51:02,089 in Israel who I had the pleasure of of
00:51:02,099 → 00:51:05,870 working with yes shout out to you guys I
Section 116: 00:51:05,880 – 00:51:39,049
00:51:05,880 → 00:51:08,510 hope you're I hope you're religious
00:51:08,520 → 00:51:10,790 you religious right doesn't take out
00:51:10,800 → 00:51:12,650 what you're doing I see what's going on
00:51:12,660 → 00:51:14,930 right did everybody see the fights that
00:51:14,940 → 00:51:17,450 are going on oh that's booba you called
00:51:17,460 → 00:51:22,010 it you called it love it love it they
00:51:22,020 → 00:51:23,510 all follow reason
00:51:23,520 → 00:51:27,109 yeah they all follow reason my buddies
00:51:27,119 → 00:51:28,130 at least
00:51:28,140 → 00:51:31,430 right love it love it it's good stuff we
00:51:31,440 → 00:51:33,230 want to see the reality we want the text
00:51:33,240 → 00:51:36,349 and we don't want you telling us what to
00:51:36,359 → 00:51:39,049 do and what to wear and how to behave
Section 117: 00:51:39,059 – 00:52:02,230
00:51:39,059 → 00:51:41,270 we don't want your rules
00:51:41,280 → 00:51:43,370 we want reality
00:51:43,380 → 00:51:45,589 good let's go to the last we're going to
00:51:45,599 → 00:51:47,809 get to the last text I got a little
00:51:47,819 → 00:51:49,670 overly preached you tonight I apologize
00:51:49,680 → 00:51:52,970 yeah whatsoever and finally we end up
00:51:52,980 → 00:51:54,770 with Lady Babylon right whatsoever
00:51:54,780 → 00:51:57,349 things you know in whatever ways she
00:51:57,359 → 00:52:02,230 glorified herself and Estrella
Section 118: 00:52:02,240 – 00:52:43,849
00:52:02,240 → 00:52:05,450 right right what are you doing look at
00:52:05,460 → 00:52:08,390 the Str root in that one right Sigma Tau
00:52:08,400 → 00:52:11,870 row there it is all right strania what
00:52:11,880 → 00:52:15,650 is that what is that when you do that
00:52:15,660 → 00:52:18,829 um yeah you're entering that
00:52:18,839 → 00:52:23,210 place of establishment with within the
00:52:23,220 → 00:52:24,829 mystery
00:52:24,839 → 00:52:26,089 yeah
00:52:26,099 → 00:52:28,849 how do our victorians how do you squeeze
00:52:28,859 → 00:52:31,309 that metaphysicality out of a
00:52:31,319 → 00:52:33,410 victorian's backside bring us to the
00:52:33,420 → 00:52:35,510 next slide bring us to the next section
00:52:35,520 → 00:52:39,530 here it is it's uh wax wanton wax wanted
00:52:39,540 → 00:52:41,329 you program all of that into a
00:52:41,339 → 00:52:43,849 victorian's head from 1850 and they
Section 119: 00:52:43,859 – 00:53:17,230
00:52:43,859 → 00:52:47,030 translated as to wax wanton you have
00:52:47,040 → 00:52:49,849 done this stealth this stuff to glorify
00:52:49,859 → 00:52:54,109 yourself lady Babylon and to wax wanton
00:52:54,119 → 00:52:58,430 you who wax wanton Aphrodite you who wax
00:52:58,440 → 00:53:01,970 wanton if there was no waxing wanton
00:53:01,980 → 00:53:05,510 there would be no Cyprus there would be
00:53:05,520 → 00:53:07,970 no Aphrodite and Adonis and guess what
00:53:07,980 → 00:53:09,549 you miserable
00:53:09,559 → 00:53:13,069 miserable human being there would be no
00:53:13,079 → 00:53:17,230 you
Section 120: 00:53:17,240 – 00:54:07,970
00:53:17,240 → 00:53:20,089 for those of you who do not honor
00:53:20,099 → 00:53:22,849 Aphrodite in life
00:53:22,859 → 00:53:25,450 you receive your own
00:53:25,460 → 00:53:27,950 self-merited punishment
00:53:27,960 → 00:53:32,690 yeah that you will never enter into that
00:53:32,700 → 00:53:34,849 true Hallelujah
00:53:34,859 → 00:53:38,930 that true place yes you won't
00:53:38,940 → 00:53:43,069 and that's a curse that's a curse right
00:53:43,079 → 00:53:46,910 right I curse your smelly Parts it says
00:53:46,920 → 00:53:48,049 Aphrodite
00:53:48,059 → 00:53:51,890 what did we do you didn't honor me I
00:53:51,900 → 00:53:54,049 curse your smelly parts
00:53:54,059 → 00:53:56,809 we will honor you now it's too late
00:53:56,819 → 00:53:58,730 it's too late the offense is already
00:53:58,740 → 00:54:02,990 there your life is the offense smelly
00:54:03,000 → 00:54:05,030 parts for you
00:54:05,040 → 00:54:07,970 do you have smelly parts
Section 121: 00:54:07,980 – 00:54:30,829
00:54:07,980 → 00:54:11,390 yeah are you one of those
00:54:11,400 → 00:54:16,130 do you need cleansing in the mystery
00:54:16,140 → 00:54:18,950 do you need that progression bring up
00:54:18,960 → 00:54:21,109 the next slide
00:54:21,119 → 00:54:22,430 yep
00:54:22,440 → 00:54:24,049 take a look at this
00:54:24,059 → 00:54:27,010 yep good that one
00:54:27,020 → 00:54:30,829 oh can it wrong one
Section 122: 00:54:30,839 – 00:55:21,109
00:54:30,839 → 00:54:33,770 you
00:54:33,780 → 00:54:36,890 are subject
00:54:36,890 → 00:54:36,900 you are subject
00:54:36,900 → 00:54:39,710 to the universe as much as the next
00:54:39,720 → 00:54:41,410 person
00:54:41,420 → 00:54:44,030 you thought your life was independent
00:54:44,040 → 00:54:45,890 and that you were living without any
00:54:45,900 → 00:54:47,210 sort of
00:54:47,220 → 00:54:48,530 thread
00:54:48,540 → 00:54:50,870 being written through your life
00:54:50,880 → 00:54:54,170 your entire existence from beginning to
00:54:54,180 → 00:54:56,990 end is a testimony
00:54:57,000 → 00:55:02,150 wait what yeah is a testimony what is
00:55:02,160 → 00:55:05,690 that can you feel Can You Feel The
00:55:05,700 → 00:55:08,870 Can You Feel the ancient Vibe can you
00:55:08,880 → 00:55:10,549 feel that
00:55:10,559 → 00:55:13,730 place where your word is everything and
00:55:13,740 → 00:55:17,089 Oaths oath Breakers Liars as we call
00:55:17,099 → 00:55:18,349 them today
00:55:18,359 → 00:55:21,109 oath Breakers can't be trusted you can't
Section 123: 00:55:21,119 – 00:55:44,809
00:55:21,119 → 00:55:23,329 give those people power an oath breaker
00:55:23,339 → 00:55:27,470 will take apart your democracy
00:55:27,480 → 00:55:28,790 yeah
00:55:28,800 → 00:55:31,670 yeah you are the living punishment
00:55:31,680 → 00:55:34,790 that's a Chaldean talking through me to
00:55:35,700 → 00:55:39,049 you are the living punishment
00:55:39,059 → 00:55:44,809 fantastic fantastic who is this Adonis
Section 124: 00:55:44,819 – 00:56:22,250
00:55:44,819 → 00:55:47,569 who is this Adonis
00:55:47,579 → 00:55:51,530 this is I put this up top sure I'm sorry
00:55:51,540 → 00:55:56,390 wait where is the oh it's not no okay oh
00:55:56,400 → 00:55:58,190 man there it is
00:55:58,200 → 00:56:01,069 yep no that's not it either I guess I no
00:56:01,079 → 00:56:02,809 I guess I forgot it
00:56:02,819 → 00:56:05,089 um go ahead and take it down I I wanted
00:56:05,099 → 00:56:07,309 to finish tonight by giving you the
00:56:07,319 → 00:56:11,569 climax and the climax is in the name
00:56:11,579 → 00:56:14,750 the name is not Lord it is not a made-up
00:56:14,760 → 00:56:17,630 Hebrew word to represent a Greek word
00:56:17,640 → 00:56:22,250 that was much much older
Section 125: 00:56:22,260 – 00:56:50,990
00:56:22,260 → 00:56:24,829 it is a root
00:56:24,839 → 00:56:27,829 and a concept which comes to us from the
00:56:27,839 → 00:56:30,290 very heart of everything mystery
00:56:30,300 → 00:56:32,690 religion and antiquity
00:56:32,700 → 00:56:35,809 it comes to us for the root for
00:56:35,819 → 00:56:38,210 the Nightingale
00:56:38,220 → 00:56:40,010 the singer
00:56:40,020 → 00:56:42,410 right here it is
00:56:42,420 → 00:56:44,750 look at that I managed to come through I
00:56:44,760 → 00:56:47,630 might get that Hallelujah still the song
00:56:47,640 → 00:56:50,990 stress right the Nightingale
Section 126: 00:56:51,000 – 00:57:19,250
00:56:51,000 → 00:56:52,390 right
00:56:52,400 → 00:56:58,549 who is that singer who is that ah Adon
00:56:58,559 → 00:57:05,170 who is that I don who is that Adonis
00:57:05,180 → 00:57:08,450 who is the singer
00:57:08,460 → 00:57:12,230 that is what Aphrodite is looking for
00:57:12,240 → 00:57:15,430 she is looking for the singer who cannot
00:57:15,440 → 00:57:19,250 tolerate the corruption
Section 127: 00:57:19,260 – 00:57:42,589
00:57:19,260 → 00:57:21,829 of her garden
00:57:21,839 → 00:57:23,450 yeah
00:57:23,460 → 00:57:26,089 the one that would rather die
00:57:26,099 → 00:57:29,329 than live with the defilement of her
00:57:29,339 → 00:57:30,790 roses
00:57:30,800 → 00:57:33,710 that's the Adonis
00:57:33,720 → 00:57:36,710 that's the one we enter into Hallelujah
00:57:36,720 → 00:57:37,609 with
00:57:37,619 → 00:57:42,589 that's the one who's been a model
Section 128: 00:57:42,599 – 00:57:54,710
00:57:42,599 → 00:57:46,609 for both Orthodox Judaism and
00:57:46,619 → 00:57:48,770 Christianity
00:57:48,780 → 00:57:54,710 tonight you see clearly Adonis
Section 129: 00:57:54,720 – 00:58:03,230
00:57:54,720 → 00:57:57,170 curios
00:57:57,180 → 00:58:03,230 hail Satan
Section 130: 00:58:03,240 – 00:58:04,530
00:58:03,240 → 00:58:04,530 [Applause]
Section 131: 00:58:04,540 – 00:58:05,360
00:58:04,540 → 00:58:05,360 [Music]
Section 132: 00:58:05,370 – 00:58:07,110
00:58:05,370 → 00:58:07,110 [Applause]
Section 133: 00:58:07,120 – 00:58:12,200
00:58:07,120 → 00:58:12,200 [Music]
Section 134: 00:58:12,210 – 00:58:12,540
00:58:12,210 → 00:58:12,540 [Applause]
Section 135: 00:58:12,550 – 00:58:16,210
00:58:12,550 → 00:58:16,210 [Music]
Section 136: 00:58:16,220 – 00:58:22,570
00:58:16,220 → 00:58:22,570 to me on Sundays not
Section 137: 00:58:22,580 – 00:58:24,960
00:58:22,580 → 00:58:24,960 [Music]